Oh this is so fun, Janie! What a beautiful surprise for the next reader.
]]>HI Janet:
Oh I’m so glad that you see the stitch applications. I feel it translates so well that way. And it’s inspiring to hear that you are translating your what if’s too. I’ll have to reflect on how I can amplify that more too! Happy creating! xo
]]>HI Nancy: Wow that sounds like a big undertaking. You may well get other ideas as soon as I give my suggestion, so listen internally for that as you read…what occurs to me given my practice is to work on really small bits of paper – inchies – and explore bricks in lots of different ways – draw from live, make them more geometric and stylized, make them more loose and simple – this way you have space to experiment before doing a big “serious” drawing. I hope this helps! xo
]]>I recently completed a rather difficult piece containing bricks for buildings and stone streets. It was a disaster for both. It occurred to me that slow drawing would be great for those techniques. Even mini drawings would work. The problem is doing it myself I just do it wrong. No sense perpetuating an error. Any advice on how to do these?
]]>Hi Karen: Oh you are the sweetest. I’m so happy that this work is really working on you. xo I would venture an invitation – what if you went back to some of the slow drawings and did more of the same and used those as your experimentation? It may be that there’s a special purpose for that original group, and this honors that. It might also be that there are only so many of them, and so they feel a bit too precious for that reason – making more helps you have room to experiment and push the boundaries more. You’ll know if this is right for you or not. Happy creating!
]]>Ohh that’s so exciting to hear, Jan. And don’t stop there – take out your journal and make a list of other ideas – who knows where it will take you!xo
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